Studio Approach + Participation
As a studio course, learning happens through approaches specific to a workshop environment. Active participation is essential for one’s own benefit and that of the class. An active participant thoughtfully contributes to critique and works hard during class-time.
READINESS: You are expected to have the basic supplies for class every class session unless otherwise instructed. It is your responsibility to arrive and set up your drawing station by the start of class.
ENGAGEMENT: You are actively Drawing, Listening, Discussing, Collaborating, etc. If you finish a drawing early, you might be asked to start a new one and expected to continue working on course related content.
CLEAN UP: You should allow yourself time at the end of class to help the instructor and your fellow students clean-up, put easels and drawing boards back, and put away supplies.
HOMEWORK EXPECTATION: Different projects will require different time commitments. You should anticipate spending approximately 1-1.5 concentrated hours on homework for each hour you spend in class per week. That means you may spend up 6 hours on drawing projects outside of class each week (the amount of time you will need to spend outside of class is variable). Drawing is like learning a new language or musical instrument, it takes repetition and a lot of practice.
ASSIGNMENTS: Assignments for this course will be tailored towards reinforcing methods we are studying in class. They must be done from direct observation unless otherwise instructed.
SLIDES AND DEMONSTRATION: Slide talks will take place when introducing new content to provide reinforcement of the skills introduced. Technical demonstrations will be a vital component of this course. Make sure you situate yourself so you can see the instructor or slide presentation.
Critique
Being able to effectively evaluate your own work and the work of others is a valuable skill that we will develop throughout this course. Furthermore, it is extremely valuable to engage with your peers and learn from each other, as we all work a little bit differently. Effective critique requires considerate observation, using neutral questions and as opposed to opinion-based questions, explanation and reflection, and dialogue. We will regularly participate in sharing our work on assignment due dates. Sometimes this will take the form of longer, more formal critiques, sometimes in small groups, and other times it will be shorter, more casual sharing of our work.
Grading + Participation Evaluation
Your grade in this course is based on:
- In-Class Drawings
- Sketchbook Assignments
- At-Home Drawing Assignments
- Participation
- Final Project
Each module consists of weekly In-Class Drawings, Sketchbook Assignments, and one At-Home Drawing Assignment per Module that encompasses the themes and skills of that Module.
All assignments will be posted on Canvas and must be submitted in person. Grades will be distributed with corresponding Canvas Assignments. You will receive written comments with your grades to help clarify the successful aspects of your work as well as the areas that need development. There will be two opportunities to re-do, revise, or submit late assignments.
The following are considered in the assessment of your performance in this class, just completing an assignment does not guarantee an “A”:
- Your consideration of the assigned objectives for a project.
- The reflection in your work of visual principles, concepts and techniques that are being investigated in class.
- The degree to which you develop a concept or idea.
- The presentation of your work and its degree of resolution, how you take your ideas through to completion.
- Your assimilation of the criticism and feedback that you receive about your work.
- Your overall ambition and involvement with the projects undertaken and processes explored in this course.
- Your ability to work independently, with discipline and responsibility.
- How your work progresses.
- Effort level in class – are you working? Do you start a new drawing if you finish early?
- Are you drawing from observation?