Southern Utah University

Course Syllabus

Southern Utah University
Southern Utah University
Fall Semester 2025

Introduction to Film (Face-to-Face)

THEA 1023-02

Course: THEA 1023-02
Credits: 3
Term: Fall Semester 2025
Department: TA
CRN: 30610

Course Description

A look at the Art of Film–how it influences lives and how lives influence the art. Students will view films from many different genres, offer analysis, and gain an appreciation for the many collaborative crafts involved in the filmmaking process. (Fall, Spring, Summer) [Graded (Standard Letter)] Registration Restriction(s): Intensive English Program majors may not enroll General Education Category: Fine Arts

Required Texts

Barsam, Richard.  Looking at Movies, 8th  Ed.
The eBook version is the least expensive and includes required access to everything on the publisher’s digital resources page.  If you prefer a printed copy, be sure your purchase includes the digital resources.

Learning Outcomes

Communication
Students will:
  • Develop and express ideas in multiple modes—writing, speaking, visually, kinesthetically, through design, and aurally.
  • Demonstrate expertise in explaining the influential role of film in society, and the social, political, economic, and cultural forces that have shaped its development as both an art form and a communicative medium.
  • Evaluate, analyze, and articulate conclusions about the artistic, cultural, and political intentions of filmmakers.
  • Study and assess (both aurally and in writing) the creative processes that founded and advanced the film industry.
  • Engage in scholarly discourse by contributing and responding thoughtfully to interpretations of films, supporting ideas with specific cinematic evidence.
  • Apply film terminology and theoretical concepts to the analysis of specific works, demonstrating visual literacy and the ability to connect form and meaning.

Creative Thinking
Students will:
  • Combine and synthesize ideas, images, and concepts in original ways, responding imaginatively to course materials and activities.
  • Expand their appreciation and enjoyment of film art and its elements of design, performance, and craftsmanship.
  • Translate analytical insights into creative expression through the planning, production, and editing of a short narrative film.

Teamwork
Students will:
  • Demonstrate productive collaboration in group settings to complete assignments, discussions, and creative projects.
  • Experience the teamwork atmosphere and problem-solving demands of motion picture production by working on a group filmmaking project.
  • Communicate evaluative and creative ideas aurally and visually, using technology and methods common to the film art form.
  • Develop and articulate a personal framework for evaluating a film’s moral and social values, considering multiple perspectives.

Course Requirements

Assignments and Rationales

Overview
The assignments in this course are designed to build both critical understanding and practical appreciation of film as an art form and cultural document. Each task—whether analytical, collaborative, or creative—targets specific learning outcomes: developing visual literacy, strengthening the ability to interpret and discuss cinematic works, applying theoretical concepts to real examples, and experiencing the creative process of filmmaking. By combining reading-based comprehension activities, written and discussion-based analyses, and a hands-on production project, students will gain a multifaceted perspective on how films are made, how they convey meaning, and how they reflect and shape the societies that produce them.

InQuizitive Exercises
Purpose:
To reinforce understanding of key concepts from the assigned textbook chapters through interactive, self-paced review.
Rationale:
The InQuizitive platform provides immediate feedback and adaptive questioning, allowing students to identify and address gaps in comprehension. Because they can reattempt questions until achieving mastery, students are encouraged to fully engage with the material, strengthening retention and preparing them for deeper in-class and written analyses.
Learning Outcomes Addressed:
  • Communication: Apply film terminology and theoretical concepts to specific works (visual literacy).
  • Communication: Demonstrate expertise in explaining the role of film in society and its historical development.

Tests
Purpose:
To assess comprehension of course concepts, film terminology, and historical/theoretical contexts discussed in readings and class lectures.
Rationale:
Open-book, untimed tests encourage application of knowledge rather than rote memorization. Students practice retrieving, synthesizing, and applying concepts, reinforcing their ability to connect ideas from multiple sources (textbook, lectures, and discussions) to the study of film.
Learning Outcomes Addressed:
  • Communication: Evaluate and analyze the artistic, cultural, and political intentions of filmmakers.
  • Communication: Demonstrate expertise in explaining film’s societal role and influences.

Written Film Responses
Purpose:
To develop analytical writing skills by examining specific aspects of two assigned films in depth.
Rationale:
Guided questions prompt students to connect cinematic techniques, narrative choices, and thematic elements to broader cultural and historical contexts. This sharpens observational skills, critical thinking, and the ability to articulate nuanced interpretations in clear, organized prose.
Learning Outcomes Addressed:
  • Communication: Apply film terminology and theoretical concepts to analysis.
  • Communication: Engage in scholarly discourse with evidence-based interpretations.
  • Creative Thinking: Combine and synthesize ideas in original ways.

Online Group Film Discussions
Purpose:
To foster collaborative analysis and dialogue about assigned films, encouraging students to consider multiple perspectives.
Rationale:
By contributing initial insights and responding thoughtfully to peers, students engage in a dynamic exchange of interpretations. This process models scholarly discourse, improves communication skills, and challenges students to support their observations with specific evidence from the film.
Learning Outcomes Addressed:
  • Communication: Engage in scholarly discourse, supporting ideas with evidence.
  • Teamwork: Demonstrate productive collaboration in group settings.
  • Communication: Apply visual literacy skills in discussion.

Individual or Group Film Project
Purpose:
To apply course concepts creatively by producing a short narrative film, demonstrating an understanding of cinematic storytelling principles.
Rationale:
Hands-on filmmaking deepens appreciation for the craft by requiring students to make intentional choices about camera work, sound, lighting, editing, and narrative structure. Whether working individually or collaboratively, students experience the practical challenges of production, translating theoretical knowledge into artistic expression.
Learning Outcomes Addressed:
  • Creative Thinking: Translate analytical insights into creative expression.
  • Teamwork: Collaborate effectively to complete a complex creative project.
  • Communication: Communicate ideas visually and aurally using film technology.
  • Teamwork: Develop a personal framework for evaluating moral and social values in film.

Extra Credit Opportunities
Students have the option to complete up to three extra credit film responses, worth 25 points each, for a maximum of 75 points. You may watch and critique only one film from each pairing (in any order):
  • Fiddler on the Roof (1971) or Lawrence of Arabia (1962)
  • High Noon (1952) or On the Waterfront (1954)
  • Apollo 13 (1995) or Green Book (2018)
Due dates for each response are listed in the daily syllabus. Each critique should address the film’s artistic and technical elements, thematic depth, and cultural or historical significance, using the analytical tools and terminology introduced in class, and using the Film Response questions provided as catalysts for your analysis.

In addition, you may earn 35 extra points by submitting your Individual Film Project early (see calendar for early submission date).

Purpose:
  • To encourage exploration of influential films beyond the core viewing list.
  • To provide additional opportunities to apply course concepts in written, oral, or visual analysis.
  • To recognize initiative, time management, and a deeper engagement with cinematic history and culture.
Rationale:
These extra credit assignments allow motivated students to expand their film literacy, strengthen analytical skills, and connect classroom learning to a broader spectrum of cinematic works. The early project submission option also rewards students for planning ahead and refining their creative process.
Learning Outcomes Addressed:
  • Communication: Apply film terminology and theoretical concepts to original analysis; engage in evidence-based interpretation of cinematic works.
  • Creative Thinking: Synthesize ideas and perspectives in imaginative and insightful ways when evaluating films.
  • Teamwork (Self-Directed Contribution): Demonstrate self-motivation and discipline in meeting optional but challenging goals.
  • Personal Standards & Values: Develop and articulate a personal framework for evaluating a film’s moral and social values within its cultural and historical context.


Class Films

These are the films that you will be required to watch and evaluate. The films will be available to you in your Media Gallery through the Canvas page for this course. Please view each film on as large a screen as you are able.  These films were not designed to be watched on a phone or tablet, but on a larger-than-life movie screen.
The General (1926)
Singin' in the Rain (1952)
Slumdog Millionaire (2008)
Jaws (1975)
The Man Who Shot Liberty Valance (1962)
Life is Beautiful (La vita é bella) (1997)
Amadeus (1984)
The Shawshank Redemption (1994)
Psycho (1960)
Citizen Kane (1941)
The Godfather (1972)
Dunkirk (2017)
It's a Wonderful Life (1946)

Classroom Rules

  • You will be expected to participate in discussions, both in class and/or online, and to share your ideas. 
  • You will be expected to show respect to both your instructor and your classmates.
  • If your instructor deems disrespectful behavior chronic, you may be asked to withdraw from the course.  If such withdrawal is past the deadline for dropping the course, you will receive a failing grade.


Instructor's Policy on Objectionable Material

The films selected for this course are chosen for their artistic, cultural, and historical significance, representing some of the finest achievements in filmmaking across the history of cinema. While certain works may contain challenging content—such as violence, mature themes, or depictions reflective of the period in which they were made—none have been selected for vulgarity or gratuitousness.
The instructor does not consider the MPAA rating system to be a reliable or comprehensive moral guideline, as its standards can be inconsistent and culturally subjective. Instead, you will be encouraged to develop your own informed framework for evaluating a film’s moral and social value, considering context, intent, and artistic purpose.
Viewing and critically engaging with all assigned films is a required component of the course. These works have been selected to broaden your understanding of cinema, to prompt critical discussion, and to challenge you to think deeply about the role of film in reflecting and shaping society.
Learning Outcomes Connection:
This policy supports the Communication outcome by requiring students to articulate evidence-based interpretations of cinematic works, and the Personal Standards & Values outcome by guiding students in the development of an individual, thoughtful approach to evaluating the moral and social dimensions of film.

Course Outline

Week 1 (Aug 27–29)Introduction & Silent Era
  • Topics: Course overview, silent film history, InQuizitive introduction.
  • Film: The General (view by Sept 4).
  • Assignment: Begin InQuizitive Intro (due Sept 3).

Week 2 (Sept 1–5)Ways of Looking at Movies
  • Topics: Film analysis approaches.
  • Film: The General.
  • Assignment: InQuizitive Ch. 1 (due Sept 7).

Week 3 (Sept 8–12)Film Form & Musical Comedy
  • Topics: Elements of film form; project guidelines.
  • Film: Singin’ in the Rain.
  • Assignments: Online Group Discussion (Singin’ in the Rain, Sept 11); InQuizitive Ch. 2 (due Sept 14).

Week 4 (Sept 15–19)Cinematic Language & Genre
  • Topics: Cinematic language, genres, and remakes.
  • Film: Slumdog Millionaire.
  • Assignments: Online Group Discussion (Slumdog Millionaire, Sept 18); InQuizitive Ch. 3 (due Sept 21).

Week 5 (Sept 22–26)Animation & Narrative Structure
  • Topics: Animation in film, narrative building.
  • Film: Jaws.
  • Assignments: Individual Film Response (Jaws, Sept 25); Test #1 (due Sept 28).

Week 6 (Sept 29–Oct 3)Narrative, Screenwriting & Design
  • Topics: Story development, set and production design.
  • Film: The Man Who Shot Liberty Valance.
  • Assignments: InQuizitive Ch. 4 (due Oct 5); Online Group Discussion (Liberty Valance, Oct 2).

Week 7 (Oct 6–10)Mise-en-scène & Design
  • Topics: Visual composition and scene design.
  • Film: Life is Beautiful.
  • Assignments: InQuizitive Ch. 5 (due Oct 12); Online Group Discussion (Life is Beautiful, Oct 9).

Week 8 (Oct 13–17)Cinematography
  • Topics: Camera work, lighting, visual style.
  • Film: Amadeus.
  • Assignments: InQuizitive Ch. 6 (due Oct 19); Online Group Discussion (Amadeus, Oct 18–20).

Week 9 (Oct 20–24)Editing & Narrative Flow
  • Topics: Film editing principles and styles.
  • Film: Shawshank Redemption.
  • Assignments: Online Group Discussion (Shawshank Redemption, Oct 23); Test #2 (due Oct 26).

Week 10 (Oct 27–31)Editing & Suspense Techniques
  • Topics: Editing for tension and pacing.
  • Film: Psycho.
  • Assignments: InQuizitive Ch. 7 (due Nov 2); Individual Film Response (Psycho, Oct 30).

Week 11 (Nov 3–7)Acting & Performance
  • Topics: Acting methods and screen performance.
  • Film: Citizen Kane.
  • Assignments: Online Group Discussion (Citizen Kane, Nov 6); InQuizitive Ch. 8 (due Nov 9).

Week 12 (Nov 10–14)Acting in Drama & Crime Films
  • Topics: Performance in dramatic storytelling.
  • Film: The Godfather.
  • Assignments: Online Group Discussion (The Godfather, Nov 13).

Week 13 (Nov 17–21)Music & Sound Design
  • Topics: Soundscapes, film scoring, and sonic storytelling.
  • Film: Dunkirk.
  • Assignments: InQuizitive Ch. 9 (due Nov 23); Online Group Discussion (Dunkirk, Nov 20); Optional early film project submission for bonus points (Nov 19).

Week 14 (Nov 24–28)Thanksgiving Break – No Class.

Week 15 (Dec 1–5)Classic Hollywood & Final Projects
  • Topics: Sound and music wrap-up; reflections on classic film.
  • Film: It’s a Wonderful Life.
  • Assignments: Final Film Project due Dec 2; Review for Test #3; Extra Credit Film Response #3 due Dec 5.

Finals Week (Dec 8–11)Final Presentations & Exam
  • Activities: Remaining film project screenings.
  • Assignment: Test #3 (due Dec 10).

Instructor's policies on late assignments and/or makeup work

Late assignments will be marked down 10% each day.  After nine days no points will be given. Computer or printer problems are not an excuse. Back up your work and plan ahead.  

Attendance Policy


Attendance
is required for all classes unless excused by the instructor or for official university travel. You will be awarded 2.5 points for each class you attend on time.  However, after five(5) absences you will not only lose the 2.5 points for attendance, but you will be docked 12 points for each additional absence.  This can drop your grade quickly and can affect your grade beyond the 10% assigned to attendance.

ADA Statement

Students with medical, psychological, learning, or other disabilities desiring academic adjustments, accommodations, or auxiliary aids will need to contact the Disability Resource Center, located in Room 206F of the Sharwan Smith Center or by phone at (435) 865-8042. The Disability Resource Center determines eligibility for and authorizes the provision of services.

If your instructor requires attendance, you may need to seek an ADA accommodation to request an exception to this attendance policy. Please contact the Disability Resource Center to determine what, if any, ADA accommodations are reasonable and appropriate.

Academic Credit

According to the federal definition of a Carnegie credit hour: A credit hour of work is the equivalent of approximately 60 minutes of class time or independent study work. A minimum of 45 hours of work by each student is required for each unit of credit. Credit is earned only when course requirements are met. One (1) credit hour is equivalent to 15 contact hours of lecture, discussion, testing, evaluation, or seminar, as well as 30 hours of student homework. An equivalent amount of work is expected for laboratory work, internships, practica, studio, and other academic work leading to the awarding of credit hours. Credit granted for individual courses, labs, or studio classes ranges from 0.5 to 15 credit hours per semester.

Academic Freedom

SUU is operated for the common good of the greater community it serves. The common good depends upon the free search for truth and its free exposition. Academic Freedom is the right of faculty to study, discuss, investigate, teach, and publish. Academic Freedom is essential to these purposes and applies to both teaching and research.

Academic Freedom in the realm of teaching is fundamental for the protection of the rights of the faculty member and of you, the student, with respect to the free pursuit of learning and discovery. Faculty members possess the right to full freedom in the classroom in discussing their subjects. They may present any controversial material relevant to their courses and their intended learning outcomes, but they shall take care not to introduce into their teaching controversial materials which have no relation to the subject being taught or the intended learning outcomes for the course.

As such, students enrolled in any course at SUU may encounter topics, perspectives, and ideas that are unfamiliar or controversial, with the educational intent of providing a meaningful learning environment that fosters your growth and development. These parameters related to Academic Freedom are included in SUU Policy 6.6.

Academic Misconduct

Scholastic honesty is expected of all students. Dishonesty will not be tolerated and will be prosecuted to the fullest extent (see SUU Policy 6.33). You are expected to have read and understood the current SUU student conduct code (SUU Policy 11.2) regarding student responsibilities and rights, the intellectual property policy (SUU Policy 5.52), information about procedures, and what constitutes acceptable behavior.

Please Note: The use of websites or services that sell essays is a violation of these policies; likewise, the use of websites or services that provide answers to assignments, quizzes, or tests is also a violation of these policies. Regarding the use of Generative Artificial Intelligence (AI), you should check with your individual course instructor.

Emergency Management Statement

In case of an emergency, the University's Emergency Notification System (ENS) will be activated. Students are encouraged to maintain updated contact information using the link on the homepage of the mySUU portal. In addition, students are encouraged to familiarize themselves with the Emergency Response Protocols posted in each classroom. Detailed information about the University's emergency management plan can be found at https://www.suu.edu/emergency.

HEOA Compliance Statement

For a full set of Higher Education Opportunity Act (HEOA) compliance statements, please visit https://www.suu.edu/heoa. The sharing of copyrighted material through peer-to-peer (P2P) file sharing, except as provided under U.S. copyright law, is prohibited by law; additional information can be found at https://my.suu.edu/help/article/1096/heoa-compliance-plan.

You are also expected to comply with policies regarding intellectual property (SUU Policy 5.52) and copyright (SUU Policy 5.54).

Mandatory Reporting

University policy (SUU Policy 5.60) requires instructors to report disclosures received from students that indicate they have been subjected to sexual misconduct/harassment. The University defines sexual harassment consistent with Federal Regulations (34 C.F.R. Part 106, Subpart D) to include quid pro quo, hostile environment harassment, sexual assault, dating violence, domestic violence, and stalking. When students communicate this information to an instructor in-person, by email, or within writing assignments, the instructor will report that to the Title IX Coordinator to ensure students receive support from the Title IX Office. A reporting form is available at https://cm.maxient.com/reportingform.php?SouthernUtahUniv

Non-Discrimination Statement

SUU is committed to fostering an inclusive community of lifelong learners and believes our university's encompassing of different views, beliefs, and identities makes us stronger, more innovative, and better prepared for the global society.

SUU does not discriminate on the basis of race, religion, color, national origin, citizenship, sex (including sex discrimination and sexual harassment), sexual orientation, gender identity, age, ancestry, disability status, pregnancy, pregnancy-related conditions, genetic information, military status, veteran status, or other bases protected by applicable law in employment, treatment, admission, access to educational programs and activities, or other University benefits or services.

SUU strives to cultivate a campus environment that encourages freedom of expression from diverse viewpoints. We encourage all to dialogue within a spirit of respect, civility, and decency.

For additional information on non-discrimination, please see SUU Policy 5.27 and/or visit https://www.suu.edu/nondiscrimination.

Pregnancy

Students who are or become pregnant during this course may receive reasonable modifications to facilitate continued access and participation in the course. Pregnancy and related conditions are broadly defined to include pregnancy, childbirth, termination of pregnancy, lactation, related medical conditions, and recovery. To obtain reasonable modifications, please make a request to title9@suu.edu. To learn more visit: https://www.suu.edu/titleix/pregnancy.html.

Disclaimer Statement

Information contained in this syllabus, other than the grading, late assignments, makeup work, and attendance policies, may be subject to change with advance notice, as deemed appropriate by the instructor.