This course consists of seven modules that each last approximately two weeks.
Module 1: Play Attendance and Participation—This module will run throughout the semester. Students will be required to attend at least three live Shakespeare performances, attend a SUMA exhibit, and visit Special Collections in the library.
Module 2: Literary Theatre—In this module we are going to learn about the parts of a play and the elements of plot. Most of this information comes from The Poetics, a document Aristotle wrote almost 2,500 year ago! Its original intent was a critical analysis for the theatre (specifically tragedy) but has become one of the foundational theories for analysis of all literature. I'm sure you'll recognize some of this material from your English classes.
To complete this module you will need to:
- You should have watched Dr. Horrible's Sing-Along Blog in class, if not you need to watch it before moving forward.
- Read the material provided in Canvas
- Do the Aristotle's "Poetics" reading with video and quiz
- Do the Parts of a Play: Reading and quiz
- Do Elements of plot: Reading and quiz
Module 3: Shakespeare and Elizabethan Period History Overview—This module will consist of several in class presentations and multiple readings and quizzes. It will provide an overview of the history leading up to Shakespeare’s neo-classical period, an overview of the history of the Elizabethan age, an overview of the history Elizabethan theatre buildings, and an overview of the history of the publication of the era including the First Folio. A visit to SUU Special Collections will be required for this module.
Module 4: Macbeth—In this module we will explore both the 2025 USF production of Macbeth as well as Akira Kurasawa’s film masterpiece Throne of Blood.
To better understand Throne of Blood, we will learn consider examples of Sumi-e art, haiku poetry, and learn about Japanese Noh theatre and explore how the film is an homage to these other arts, as well as Macbeth. We will dive into this melding of arts by visiting SUMA and finding thematic similarities between Macbeth and the From GI to MFA: Clayton Rippey's Explorations in Abstraction exhibit at SUMA.
Assessment for this module will include completing:
· Macbeth Haiku Assignment
· Short Writing Assignment: SUMA, Macbeth, and Throne of Blood
· Macbeth/Throne of Blood Mini Essay series
Module 5: As You Like It—In this module we will explore both the 2025 USF production of As You Like It as well as a manga of the same play. We will have at least one guest lecturer during this module. We will take a deep dive into the imagery and text of the manga, including learning about manga morphology. A compare and contrast writing assignment will be required.
Module 6: The Comedy of Errors—In this module we will explore the SUU production of The Comedy of Errors as well as a BBC musical production from the Royal Shakespeare Company that won the Olivier Award for Best New Musical. Students will create thematically relevant memes about the play. They will also create and present a mind map that integrates textual analysis with performance interpretation, showing how different artistic choices shape meaning and audience experience.
This activity encourages:
· Deep analysis of Shakespeare’s play from multiple perspectives
· Insight into how directorial choices affect storytelling
· Collaborative synthesis of ideas from beyond the page
· Creative, visual organization of complex comparisons
Module 7: Monologue performance—For this modulestudents are going to prepare and perform a Shakespearean monologue. There are six steps/assignments they must complete for this module. They must also provide a scansion of their monologue as well as perform it both in class and in a video. They will rehearse their monologue for both the professor and their class peer group.
Final Module: For your final you will be doing research, a group presentation, and a group performance.
Your group will research what we will call an "original practice" using primary and scholarly sources in the SUU Library. Your group will present your original practice research to the class, and then will perform a scene from a Shakespeare play that illustrates your original practice