Southern Utah University

Course Syllabus

Southern Utah University
Southern Utah University
Spring Semester 2026

Creative Writing Senior Capstone (Face-to-Face)

ENGL 4810-01

Course: ENGL 4810-01
Credits: 3
Term: Spring Semester 2026
Department: ENGL
CRN: 12178

Course Description

This course is only for seniors in the Creative Writing Major. This course emphasizes a portfolio consisting of work previously completed in an advanced-level creative writing class that will be workshopped and extensively revised. The portfolio will also showcase creative work in a secondary genre, a literary analysis paper, and an annotated bibliography. Students will explore and discuss publishing, employment, and graduate school opportunities. The course will culminate with a student reading at a department-sponsored event. (Fall, Spring) [Graded (Standard Letter)]

Dear Beloved Students,

Welcome! This course is designed as a capstone experience. By this point, you’ve generated a substantial body of work, in multiple genres, from previous creative writing classes and learned quite a bit about writing. My intention for this course is to de-center the classroom to create an environment where we teach each other. To that end, I want you to be able to draw on what you’ve learned in your creative writing classes and practice it in this classroom, to draw on your interests and expertise to “play teacher.” Basically, I want you to do everything that I wished I could have done as an undergraduate and graduate creative writing student. I also want you to reflect in an organized way on your creative writing classes at SUU and on your journey as a writer as you consider your next professional step, whether it be writing, teaching, publishing, or anything else you choose to do.

Required Texts

  • The Art of Revision: The Last Word, by Peter Ho Davies (ISBN: 978-1-64445-039-0)
  • Letters to a Young Writer, by Colum McCann (ISBN: 978-0-399-59080-1)

Learning Outcomes

Though all this might be incredibly ambitious, here’s what I hope you’ll accomplish this semester:

  • Learn how to lead an in-class reading discussion on a short story, creative nonfiction essay, or poem of your choice.
  • Learn how to create and present an in-class creative writing activity.
  • Write a statement of purpose for a graduate program in creative writing.
  • Research journals and magazines where you can publish your creative writing, write submission letters, and send your work out for publication.
  • Design and present a literary journal or magazine that you might create.
  • Organize and participate in a reading of your creative work.
  • Organize your substantial body of creative work, in at least two genres, into a portfolio.
  • Practice revising and editing your creative work.
  • Learn and share advice about the writing life.
Student Learning Outcomes
  • Successful application of editing and revising strategies and techniques
  • Manuscript evaluation skills and the ability to articulate criteria for successful creative writing in both discussions and written responses
  • Ability to effectively target submissions to literary and commercial periodicals
  • Portfolio containing a body of work satisfactory for submission as professional or graduate school application sample
  • Ability to successfully offer, accept, evaluate, and incorporate criticism
  • Ability to produce polished work on established and agreed upon timelines
  • Ability and opportunity to effectively and engagingly present literary works and deliver craft-based lectures

Course Requirements

Ancillary Work

AIs: AI stands for awesome ideas. For each reading on craft, identify two direct quotations from the text that resonate with you and then write a two to three sentence explanation on why these quotations resonated with you. AIs will be the basis of our discussions for our in-class discussions. An AI should have two direct quotations and a brief explanation of each. AIs are worth four points are uploaded to Canvas by the beginning of class.

QUACS: More on these below. Basically, the QUACS is a reading framework you’ll apply to the short stories we read and discuss for this class. QUACS are worth six points and are uploaded to Canvas by the beginning of class.

Grading

I will grade your assignments on labor, completion, and thoughtfulness. Your work, I believe, must reflect an investment of time and energy; otherwise, I will not accept it. If this happens, I will provide a reason why I won’t accept the work and allow you the opportunity to revise. However, there are some assignments due at the end of the semester, like the final portfolio, workshop critiques, attendance/participation points, and the writing log, that I will not allow you to revise—you either did them or you didn’t.

As for the final draft (portfolio draft) of your short story, I will provide a grade based on your thorough revision of the piece, an approach that will free you up to take chances in your work without fear of a penalty. Not revising, however, will result in a lower score. Also, you will receive an automatic B on your final short story if you submit it without the workshop draft and/or a reflective essay on your revision process. One last point about the final draft of your story: invest time and energy, take imaginative and creative leaps, but please provide a story free of spelling, punctuation, grammar, and mechanical errors. For me, this is an issue of courtesy. Utilize the Writing Center and friends and family to check your work for these errors. On the final draft of your story, I will dock a point for each spelling, punctuation, grammar, and mechanical error, up to fifteen points. It’s that important to me!

Grade Breakdown (Approximate)
  • Portfolio — 40%
  • Attendance/Participation — 20%
  • Ancillary Work: QUACS, Quizzes, AIs, TAPs, etc. — 40%
QUACS: Responses to Readings

One skill we’ll be working on developing this semester is metacognitive awareness, which is a fancy way of saying “noticing what you’re noticing.” Rather than just letting a text wash over us while we read, we want to pay attention to precisely how we experience that text. What parts leave us confused? Which passages are particularly beautiful, and what characteristics of the text make us feel that beauty? Making notations on the page (underlining, jotting notes) while we read is one good way of practicing metacognitive awareness. Another is keeping a reading journal, wherein we can reflect on the text at more length than in our on-the-page notations but at less length than we would in a full essay. QUACS are worth six points, and, to avoid late penalties, must be uploaded to Canvas before the beginning of class.

For this course, you will produce reading responses to our texts. Each response should be between 250 to 350 words long, or so, and be single-spaced. Rather than focusing on length, though, you should concentrate on adequately responding to each of the following:

Questions: First, present at least two questions (or sets of interrelated questions) that you have about things that come up in the text. Your questions might be big-picture theoretical or critical questions about ideas, concepts, or themes, or they may relate aspects of the text to another text or idea we have read or discussed in class (or that you have encountered elsewhere). You might ask one or more close-reading questions that focus on something curious or confusing that is happening in the language of the text. Or, you might ask a question that seeks to clarify or better understand something that is happening in the narrative, with a character, or with a situation. (Feel free to ask a variety of kinds of questions. Your questions do not have to be related to one another. You do not need to answer your questions.)

Understanding/Analysis: In this section, you will quote something small from the text—a line, a sentence, a keyword—and provide a close-reading of it. The close reading can be used to argue a particular point, or it can be a series of detailed observations about the text that could lead to an interesting discussion.

Comment: Assert an opinion or personal response to the text—to anything in the text that strikes you, moves you, delights you, bothers you, interests YOU—emotionally, culturally, politically, aesthetically, thematically, stylistically.… I think of this as the “book club response” portion of the QUACS, because it’s a chance for you to share gut feelings about and reactions to—rather than analysis of—the text.

“Steal”: Steal isn’t the right word, but it will do. For this section, find an idea, technique, theme, scenario, conflict, etc. you might want to use from the text and incorporate into your imaginative writing.

How I grade QUACS:

  • -2 points: Two questions
  • -1 point: A direct quotation from the story
  • -1 point: Your thoughtful analysis and understanding of that quotation
  • -1 point: A thoughtful comment
  • -1 point: Something from the next you’d like to “steal”: borrow, imitate, etc.

Total point possible: 6

Course Outline

Tentative Schedule (subject to change)
Thu, Jan 8: Class #1
  • In Class
    • Handout and review syllabus.
    • Introduce leading in class reading discussion
    • Introduce in class creative writing activity
    • Introduce radical revision activity
    • Introduce statement of purpose assignment
    • Introduce QUACS and AIs
    • Sign up for 20 to 25 minute reading discussions
    • Sign up for 20 to 25 minute creative writing activities
  • Homework for Next Class
    • Read Teaching Literature, Elaine Showalter: Chapter 2: Theories of Teaching Literature in Canvas “Files”
    • AI #1 on Showalter (Submit to Canvas by the beginning of class)
    • Think of short story students can read
Tue, Jan. 13: Class #2
  • In Class
    • Discuss Teaching Literature, Elaine Showalter: Chapter 2: Theories of Teaching Literature
    • Model reading discussion
    • Explore different reading discussion methods
  • Homework for Next Class
    • Read Teaching Literature, Elaine Showalter: Chapter 3: Methods of Teaching Literature in Canvas “Files”
    • AI #2 on Showalter (Submit to Canvas by the beginning of class)
Thu, Jan. 15: Class #3
  • In Class
    • Discuss Teaching Literature, Elaine Showalter: Chapter 3: Methods of Teaching Literature
    • Introduce grad school statement of purpose and its structure
  • Homework for Next Class
    • Teaching Literature, Elaine Showalter: Chapters 4 or 6: Teaching Poetry or Teaching Fiction or *** in Canvas “Files”
    • AI # 3 on Showalter or * (Submit to Canvas by the beginning of class)
    • Statement of Purpose Prompt #1. Write one to two double-space pages on this prompt and upload to Canvas. Prompt: Look over your past writing and what you’re presently writing. What themes do you explore in your work? Are there other things you explore in your work? Cultures, types of people, locales, etc.? This doesn’t need to be a polished draft. Just get the ideas out.
Tue, Jan. 20: Class #4
  • In Class
    • Discuss Teaching Literature, Elaine Showalter: Chapters 4 or 6: Teaching Poetry or Teaching Fiction or
    • Share Statement of Purpose Prompt #1
  • Homework for Next Class
    • Statement of Purpose Prompt #2. Write one to two double-space pages on this prompt and upload to Canvas. Prompt: Make a list of experiences from your life and/or others that have influenced and shaped your writing. Choose one experience that seems most formative. How did this experience shape your writing? This doesn’t need to be a polished draft. Just get the ideas out.
Thu, Jan. 22: Class #5
  • In Class
    • Share Statement of Purpose Prompt #2.
    • Review QUACS
  • Homework for Next Class
    • QUACS #1 on Reading Discussion (Submit to Canvas by the beginning of class)
    • Statement of Purpose Prompt #3. Write one to two double-space pages on this prompt and upload to Canvas. Prompt: Who are some of your favorite writers? What influence have they had on your writing in terms of form, theme, style, etc.?
Tue, Jan. 27: Class #6
  • In Class
    • Share Statement of Purpose Prompt #3
    • In class reading discussion: _____________________________________________
  • Homework for Next Class
    • QUACS #2 on Reading Discussion (Submit to Canvas by the beginning of class)
    • Statement of Purpose Prompt #4. Write one to two double-spaced pages on this prompt and upload to Canvas. Prompt: What is your approach/process to creating your work? What do you value in writing? What have you learned about craft that influences your process? Feel free mention and quote anything you’ve studied and learned from other writers about craft, either on your own or in your undergraduate creative writing classes.
Thu, Jan. 29: Class #7
  • In Class
    • Share Statement of Purpose Prompt #4
    • In class reading discussion: _____________________________________________
  • Homework for Next Class
    • QUACS #3 on Reading Discussion (Submit to Canvas by the beginning of class)
    • Statement of Purpose Prompt #5. Write one to two double-spaced pages on this prompt and upload to Canvas. Prompt: As an undergraduate, what have you enjoyed studying? What are some experiences that you value? How have these shaped and contributed to your writing?
Tue, Feb. 3: Class #8
  • In Class
    • Share Statement of Purpose Prompt #5
    • In class reading discussion: _____________________________________________
  • Homework for Next Class
    • QUACS #4 on Reading Discussion (Submit to Canvas by the beginning of class)
    • Read The Art of Revision, “Prologue: A Study of Provincial Life”
    • AI #4 on The Art of Revision (Turn into Canvas before the beginning of class)
Thu, Feb. 5: Class #9
  • In Class
    • In class reading discussion: _____________________________________________
    • Discuss assigned chapter of The Art of Revision.
  • Homework for Next Class
    • QUACS #5 on Reading Discussion (Submit to Canvas by the beginning of class)
    • Read The Art of Revision, “Black Box”
    • AI #5 on The Art of Revision (Turn into Canvas before the beginning of class)
Tue, Feb. 10: Class #10
  • In Class
    • In class reading discussion: _____________________________________________
    • Discuss assigned chapter of The Art of Revision.
  • Homework for Next Class
    • QUACS #6 on Reading Discussion (Submit to Canvas by the beginning of class)
    • Read The Art of Revision, “Other Hands, Other Eyes”
    • AI #6 on The Art of Revision (Turn into Canvas before the beginning of class)
Thu, Feb. 12: Class #11
  • In Class
    • In class reading discussion: _____________________________________________
    • Discuss assigned chapter of The Art of Revision.
  • Homework for Next Class
    • QUACS #7 on Reading Discussion (Submit to Canvas by the beginning of class)
    • Read The Art of Revision, “Suck It and See”
    • AI #7 on The Art of Revision (Turn into Canvas before the beginning of class)
Tue, Feb. 17: Class #12
  • In Class
    • In class reading discussion: _____________________________________________
    • In Class Creative Writing Activity: ________________________________________
    • Discuss assigned chapter of The Art of Revision.
  • Homework for Next Class
    • QUACS #8 on Reading Discussion (Submit to Canvas by the beginning of class)
    • Read The Art of Revision, “Sore Thumbs”
    • AI #8 on The Art of Revision (Turn into Canvas before the beginning of class)
Thu, Feb. 19: Class #13
  • In Class
    • In class reading discussion: _____________________________________________
    • In Class Creative Writing Activity: ________________________________________
    • Discuss assigned chapter of The Art of Revision.
  • Homework for Next Class
    • QUACS #9 on Reading Discussion (Submit to Canvas by the beginning of class)
    • Read The Art of Revision, “Darlings”
    • AI #9 on The Art of Revision (Turn into Canvas before the beginning of class)
Tue, Feb. 24: Class #14
  • In Class
    • In class reading discussion: _____________________________________________
    • In Class Creative Writing Activity: ________________________________________
    • Discuss assigned chapter of The Art of Revision.
  • Homework for Next Class
    • QUACS #10 on Reading Discussion (Submit to Canvas by the beginning of class)
    • Read The Art of Revision, “Dun, Dun…Done”
    • AI #10 on The Art of Revision (Turn into Canvas before the beginning of class)
Thu, Feb. 26: Class #15
  • In Class
    • In class reading discussion: _____________________________________________
    • In Class Creative Writing Activity: ________________________________________
    • Discuss assigned chapter of The Art of Revision.
  • Homework for Next Class
    • QUACS #11 on Reading Discussion (Submit to Canvas by the beginning of class)
    • Read The Art of Revision, “Epilogue: Provincial Life Redux
    • AI #11 on The Art of Revision (Turn into Canvas before the beginning of class)
Tue, Mar. 3: Class #16
  • In Class
    • In class reading discussion: _____________________________________________
    • In Class Creative Writing Activity: ________________________________________
    • Discuss assigned chapter of The Art of Revision.
  • Homework for Next Class
    • Letters to a Young Writer, Introduction-17
    • AI #12 on Letters to a Young Writer (Turn into Canvas before the beginning of class)
Thu, Mar. 5: Class #17
  • In Class
    • In class reading discussion: _____________________________________________
    • In Class Creative Writing Activity: ________________________________________
    • Discuss Letters to a Young Writer.
  • Homework for Next Class
    • Letters to a Young Writer, 18-39
    • AI #13 on Letters to a Young Writer (Turn into Canvas before the beginning of class)
    • Bring one printed copy of your radical revision to the next class: name, title, double-spaced, stapled, and page numbers.
Tue, Mar. 17: Class #18
  • In Class
    • In class reading discussion: _____________________________________________
    • In Class Creative Writing Activity: ________________________________________
    • Discuss Letters to a Young Writer.
    • Distribute copies of radical revision.
  • Homework for Next Class
    • Letters to a Young Writer, 40-65
    • AI #14 on Letters to a Young Writer (Turn into Canvas before the beginning of class)
Thu, Mar. 19: Class #19
  • In Class
    • In Class Creative Writing Activity: ____________________________________
    • Discuss Letters to a Young Writer.
  • Homework for Next Class
    • Letters to a Young Writer, 66-84
    • AI #15 on Letters to a Young Writer (Turn into Canvas before the beginning of class)
Tue, Mar. 24: Class #20
  • In Class
    • In Class Creative Writing Activity: ____________________________________
    • Discuss Letters to a Young Writer.
    • Hand back radical revision critiques.
  • Homework for Next Class
    • Letters to a Young Writer, 85-98
    • AI #16 on Letters to a Young Writer (Turn into Canvas before the beginning of class)
Thu, Mar. 26: Class #21
  • In Class
    • In Class Creative Writing Activity: ____________________________________
    • Discuss Letters to a Young Writer.
  • Homework for Next Class
    • Letters to a Young Writer, 99-114
    • AI #17 on Letters to a Young Writer (Turn into Canvas before the beginning of class)
Thu, Apr. 2: Class #22
  • In Class
    • In Class Creative Writing Activity: ____________________________________
    • Discuss Letters to a Young Writer.
  • Homework for Next Class
    • Letters to a Young Writer, 115-132
    • AI #18 on Letters to a Young Writer (Turn into Canvas before the beginning of class)
Tue, Apr. 7: Class #23
  • In Class
    • In Class Creative Writing Activity: ____________________________________
    • Discuss Letters to a Young Writer.
  • Homework for Next Class
    • Letters to a Young Writer, 133-148
    • AI #19 on Letters to a Young Writer (Turn into Canvas before the beginning of class)
Thu, Apr. 9: Class #24
  • In Class
    • In Class Creative Writing Activity: ____________________________________
    • Discuss Letters to a Young Writer.
  • Homework for Next Class
    • Letters to a Young Writer, 149-163
    • AI #20 on Letters to a Young Writer (Turn into Canvas before the beginning of class)
Tue, Apr.: 14: Class #25
  • In Class
    • Present Your Literary Journal
  • Homework for Next Class
    Thu, Apr.: 16: Class #26
    • In Class
      • Present Literary Journal
    • Homework
      • Finish and Submit Portfolio
    Fri, Apr.: 17: #27 Evening Reading

    Instructor's policies on late assignments and/or makeup work

    Email

    Often, I will send important emails to the class, so make sure your email is set to receive notifications from Canvas. On weekdays, I will respond to your emails within twenty-four hours. After 4:00 pm on Fridays, I won’t respond to emails until Monday morning.

    Technology

    No texting during class, no surfing the Internet. To eliminate paper waste, I will often ask in class that you access your assignments on Canvas via your phone or laptop so you can share them. If you finish an in-class writing assignment, work on your Writing Log rather than texting.

    Late Work

    There is a twenty to twenty-five percent penalty for late work. If an assignment is more than a week late, I will not accept it—unless there are extenuating circumstances. I also reserve the right not to comment on late work. If you’re ill and believe you won’t meet an assignment deadline, please speak with me before the due date.

    Zoom

    There will be no live stream or recordings of classes. All course materials will be posted to Canvas “Files.”

    Attendance Policy

    Attendance/Participation: I permit two excused absences per semester (no questions asked—though it’s your responsibility to get class notes from another student). After two excused absences, each subsequent absence will reduce your attendance/participation grade by five points. And please come to class on time. Each tardy will be a two-point reduction from your attendance/participation grade.

    Be on time. Be prepared to participate. There is no sitting on the sidelines in this class—everyone needs to be an active member of our community. Speak up for your ideas and try out new ones. Take outrageous positions. Fall on your face. Respectfully challenge and critique each other. Have fun. But please do not text during class, surf the Internet, or visit with your neighbor while I’m speaking to the class! This will reduce your attendance/participation grade.

    Course Fees

    Content for this section will be provided by the instructor.

    Prerequisites and Registration Restrictions

    Prerequisite(s): ENGL 4010 or ENGL 4020 or ENGL 4030 - Prerequisite Min. Grade: C-

    Registration Restriction(s): English majors only; Senior standing required

    ADA Statement

    Students with medical, psychological, learning, or other disabilities desiring academic adjustments, accommodations, or auxiliary aids will need to contact the Disability Resource Center, located in Room 206F of the Sharwan Smith Center or by phone at (435) 865-8042. The Disability Resource Center determines eligibility for and authorizes the provision of services.

    If your instructor requires attendance, you may need to seek an ADA accommodation to request an exception to this attendance policy. Please contact the Disability Resource Center to determine what, if any, ADA accommodations are reasonable and appropriate.

    Academic Credit

    According to the federal definition of a Carnegie credit hour: A credit hour of work is the equivalent of approximately 60 minutes of class time or independent study work. A minimum of 45 hours of work by each student is required for each unit of credit. Credit is earned only when course requirements are met. One (1) credit hour is equivalent to 15 contact hours of lecture, discussion, testing, evaluation, or seminar, as well as 30 hours of student homework. An equivalent amount of work is expected for laboratory work, internships, practica, studio, and other academic work leading to the awarding of credit hours. Credit granted for individual courses, labs, or studio classes ranges from 0.5 to 15 credit hours per semester.

    Academic Freedom

    SUU is operated for the common good of the greater community it serves. The common good depends upon the free search for truth and its free exposition. Academic Freedom is the right of faculty to study, discuss, investigate, teach, and publish. Academic Freedom is essential to these purposes and applies to both teaching and research.

    Academic Freedom in the realm of teaching is fundamental for the protection of the rights of the faculty member and of you, the student, with respect to the free pursuit of learning and discovery. Faculty members possess the right to full freedom in the classroom in discussing their subjects. They may present any controversial material relevant to their courses and their intended learning outcomes, but they shall take care not to introduce into their teaching controversial materials which have no relation to the subject being taught or the intended learning outcomes for the course.

    As such, students enrolled in any course at SUU may encounter topics, perspectives, and ideas that are unfamiliar or controversial, with the educational intent of providing a meaningful learning environment that fosters your growth and development. These parameters related to Academic Freedom are included in SUU Policy 6.6.

    Academic Misconduct

    Scholastic honesty is expected of all students. Dishonesty will not be tolerated and will be prosecuted to the fullest extent (see SUU Policy 6.33). You are expected to have read and understood the current SUU student conduct code (SUU Policy 11.2) regarding student responsibilities and rights, the intellectual property policy (SUU Policy 5.52), information about procedures, and what constitutes acceptable behavior.

    Please Note: The use of websites or services that sell essays is a violation of these policies; likewise, the use of websites or services that provide answers to assignments, quizzes, or tests is also a violation of these policies. Regarding the use of Generative Artificial Intelligence (AI), you should check with your individual course instructor.

    Emergency Management Statement

    In case of an emergency, the University's Emergency Notification System (ENS) will be activated. Students are encouraged to maintain updated contact information using the link on the homepage of the mySUU portal. In addition, students are encouraged to familiarize themselves with the Emergency Response Protocols posted in each classroom. Detailed information about the University's emergency management plan can be found at https://www.suu.edu/emergency.

    HEOA Compliance Statement

    For a full set of Higher Education Opportunity Act (HEOA) compliance statements, please visit https://www.suu.edu/heoa. The sharing of copyrighted material through peer-to-peer (P2P) file sharing, except as provided under U.S. copyright law, is prohibited by law; additional information can be found at https://my.suu.edu/help/article/1096/heoa-compliance-plan.

    You are also expected to comply with policies regarding intellectual property (SUU Policy 5.52) and copyright (SUU Policy 5.54).

    Mandatory Reporting

    University policy (SUU Policy 5.60) requires instructors to report disclosures received from students that indicate they have been subjected to sexual misconduct/harassment. The University defines sexual harassment consistent with Federal Regulations (34 C.F.R. Part 106, Subpart D) to include quid pro quo, hostile environment harassment, sexual assault, dating violence, domestic violence, and stalking. When students communicate this information to an instructor in-person, by email, or within writing assignments, the instructor will report that to the Title IX Coordinator to ensure students receive support from the Title IX Office. A reporting form is available at https://cm.maxient.com/reportingform.php?SouthernUtahUniv

    Non-Discrimination Statement

    SUU is committed to fostering an inclusive community of lifelong learners and believes our university's encompassing of different views, beliefs, and identities makes us stronger, more innovative, and better prepared for the global society.

    SUU does not discriminate on the basis of race, religion, color, national origin, citizenship, sex (including sex discrimination and sexual harassment), sexual orientation, gender identity, age, ancestry, disability status, pregnancy, pregnancy-related conditions, genetic information, military status, veteran status, or other bases protected by applicable law in employment, treatment, admission, access to educational programs and activities, or other University benefits or services.

    SUU strives to cultivate a campus environment that encourages freedom of expression from diverse viewpoints. We encourage all to dialogue within a spirit of respect, civility, and decency.

    For additional information on non-discrimination, please see SUU Policy 5.27 and/or visit https://www.suu.edu/nondiscrimination.

    Pregnancy

    Students who are or become pregnant during this course may receive reasonable modifications to facilitate continued access and participation in the course. Pregnancy and related conditions are broadly defined to include pregnancy, childbirth, termination of pregnancy, lactation, related medical conditions, and recovery. To obtain reasonable modifications, please make a request to title9@suu.edu. To learn more visit: https://www.suu.edu/titleix/pregnancy.html.

    Disclaimer Statement

    Information contained in this syllabus, other than the grading, late assignments, makeup work, and attendance policies, may be subject to change with advance notice, as deemed appropriate by the instructor.